Archive for View from Underground
A video primer on the emergency brake
Posted by: | CommentsWho would have thought that the emergency brake — a fixture of subway cars for decades — could generate such attention? Over the last few weeks, I’ve burned quite a few pixels opining on the problems with the way Transit labels its emergency break. The dialogue started late last month when we explored how, in case of emergency, riders aren’t supposed to pull the brake and continued with a look at how the emergency instructions don’t say when to pull the brake.
In a nutshell, Transit urges its riders to avoid pulling the brake if the police or fire crews are needed. “Do not pull the emergency break,” reads the emergency brake decal. Rather, the emergency brake should be deployed only if a moving subway car has placed someone’s life in danger. That seems to be a rather straightforward instruction that is nowhere to be found in the city’s subway cars. And so in the grand spirit of the internet, a few intrepid filmmakers put forth a homemade PSA about the brake. The five-minute video — available here on Vimeo and embedded below — is quite amusing.
Meanwhile, in his new Off The Rails column at City Room, Michael Grynbaum spoke to the makers of this video who drew their inspiration from a Grynbaum article. Casey Nesitat is a 28-year-old filmmaker who hates riding the subway and spent around $25 on the film. It ends with instructions from the MTA’s website: “Use the emergency brake cord only when the motion of the subway presents an imminent danger to life and limb.” If only the signs in the subway cars were that concise.
Scenes from New York’s subway past
Posted by: | CommentsDanny Lyon, IRT 2, South Bronx, New York City, 1979. (Courtesy of Fans in a Flashbulb)
A few years ago, when the NYPD and the MTA briefly concerned banning photography in the subway system, New Yorkers were, as a quick Google search shows, up in arms about the move. Shooting photos in the subway has become an iconic part of New York life and culture, and by mid-2005, the two agencies had dropped the camera ban.
Today, over at Fans in a Flashbulb, the International Center of Photography offers up a tantalizing glimpse at some subway photos from New York’s past. They highlight just five photos, and the shots, ranging from a 1943 Weegee shot of a crowded subway station serving as an air shelter to a 1995 Steven Siegel photo of the Culver Viaduct looking as rundown as it does today, leave you wanting more.
My favorite is the 1979 glimpse inside a graffiti-covered 2 train in the South Bronx. The subways were once so dingy, and everyone was so complacent about the state of affairs underground. In a way, that attitude exists today as New Yorkers still don’t view the subway system as something in which we should be investing instead of as an inconvenient means of transportation. Anyway, as these shots show, great photography underground can truly capture the essence and flow of the subways. Enjoy ‘em.
MetroCard sales: How we pay
Posted by: | Comments
Earlier today, the MTA Board held its first meeting of 2010, and prior to that meeting, the agency released its board materials. As I’ve done in the past, today, I’d like to take a look at some of the myriad transit statistics offered up in these presentations. Let’s delve today into the Transit Committee book (PDF). In particular, I’d like to explore how the subway riding public purchases its MetroCards.
First, as the above table shows, we can explore how those who ride the subway pay for their trips. This chart shows the number of non-student passenger trips, and it appears as though the Unlimited Ride/Pay-Per-Ride gap is evenly split. According to Transit, 50.7 percent of riders used an Unlimited Ride card with the bulk of those employing the 30-day unlimited ride card. Those are the frequent commuters. Of the remainders, 45.3 percent resorted to the pay-per-ride card with the majority of those taking advantage of the MTA’s bonus discount program. Four percent — bus riders — paid via cash.
What we see here, then, are smart commuters. Over 86 percent of all subway riders are taking advantage of the MTA’s discount fare offerings and are what I would consider to be daily or near-daily riders. The remaining 14 percent are most likely tourists and visitors to the city who do not understand the pay-per-ride discount or find themselves rarely using trains. Of course, some tourists will buy unlimited ride cards as well. Interestingly, the 14-day MetroCard isn’t seeing much traction, but I wonder if those numbers increase in December when vacation times increase.
Beyond the pure fare card numbers here, Transit presented various other facts about MetroCard use. For example, those who purchase their 30- and 14-day passes from a MetroCard Vending Machine with a credit card can take advantage of the MTA’s automatic loss insurance. Transit reports 5387 lost MetroCard claims in November 2009 for an average refund amount of $51.09. Apparently, straphangers lose and report their MetroCards well before the midway point of the month.
The agency then runs through a variety of numbers. Employer-based providers of pre-tax transportation benefits purchased 209,110 MetroCards valued at $13.9 million in November, and the mobile sales unit generated just over $97,000 in sales. Meanwhile, the EasyPay Xpress Unlimited program — an auto-bill program that charges a user’s credit the $89 for a 30-day card once a month — isn’t generating much use. While 2794 customers are enrolled in this program, they rode just 120,831 times in November. That 50-trip average drops the price-per-ride of the 30-day card to $1.78, not much lower than the pay-per-ride discount.
Finally, we have monthly totals as well. The MTA’s own MetroCard Vending Machines saw 13.3 million customer transactions in November for a total revenue intake of $171.1 million. Of note is this fact: “Debit/credit card purchases account for 66 percent of total vending machine revenue while cash purchases account for 34 percent. Debit/credit card transactions account for 36 percent of total vending machine transactions while cash transactions account for 64 percent.” The average cash sale, says Transit, is $6.87 while the average credit and debit card purchases are $26.10 and $19.71, respectively.
And that is how we rode in November and how we paid for our rides.
Bob Noorda, transit sign designer, dies at 82
Posted by: | Comments
Underground, Massimo Vignelli is the superstar of the design of subway signs. He is largely credited with bringing a uniform design to the subway system shortly after the formation of the MTA in the late 1960s. Vignelli, who at the time was with the design firm Unimark International, did not work alone. He brought Bob Noorda, a leader in Modernist design with him, and Noorda was one of the driving forces behind Transit’s eventual use of its now-ubiquitious and familiar signs.
A few weeks, Mr. Noorda passed away in Milan at the age of 82. His cause of death, one of his associates said, was complications from head trauma suffered after he fell recently. Over the weekend, Steven Heller of The Times penned an obituary that highlighted Mr. Noorda’s work in New York City.
As Heller tells the tale, Noorda, then based in Unimark’s Milan office, came to New York at the request of Vignelli in 1966 when the MTA commissioned the firm to help unify their signs. “I remember when Bob came to New York and spent every day underground in the subway to record the traffic flow in order to determine the points of decision where the signs should be placed,” Vignelli said.
Continues Heller:
The existing signs they encountered were cluttered with various typefaces of different sizes. “Their system was a mess,” Mr. Noorda was quoted as saying in “Unimark International: The Design of Business and the Business of Design” (Lars Müller), a recently published book by Jan Conradi. “Sometimes pieces of paper taped to the wall were the only indication for the station.”
He and Mr. Vignelli set about standardizing the type family to make sure that the signs were cleaner and clearer; they settled on Helvetica, originally a Swiss design known for its sans serif economy and sterility, against a white background. Mr. Noorda worked on every detail, from typeface selection to color coding. He “had a very systematic mind,” Mr. Vignelli said, adding that “his work was extremely civilized.”
Yet the project proved disappointing to the designers. The M.T.A. was responsible for executing the designs and producing the signs in its own sign shop, and Mr. Noorda’s directives were not always followed. The sign makers, for example, at first chose to use Standard Medium, a typeface from their own shop. “They did not want to invest in Helvetica,” Ms. Conradi wrote.
In the end, Noorda and Vignelli’s black-on-white designs were replaced by the MTA with white-on-black signage. The agency always maintained that the white-on-black designs were easy to clean and did not get as dirty as Noorda’s original creation. Although Noorda’s may have been easier to read in a dimly lit subway stop, the MTA’s edits proved more durable, and today, the Akzidenz Grotesk font on a black background, often with a thin white line running through the top, symbolizes the city’s subway system.
For many, the MTA’s signs have always just been there, but they are both a product of hard work and a remnant of Modernism that lives on in New York. It will be decades before someone comes along to overhaul New York’s subway signage, and today, as we remember Bob Noorda, his work lives on.
Sign illustrations courtesy of Noorda Design and the MTA. A hat tip on this sad news goes to my mom who sent me the obituary over the weekend.
The conductors that you meet each day
Posted by: | CommentsOver at his Ink Lake blog, Friend of Second Ave. Sagas Peter Kaufman has up a post on the various styles of subway conductor. Riffing a famous picture of Clint Eastwood, Lee Van Cleef and Eli Wallach, Kaufman highlights the three personalities of those in charge of getting passengers onto and off the trains while keeping to a demanding schedule. The Good is one who “opens the doors promptly at the station, and doesn’t shilly-shally when closing. If someone on the platform hesitates, their decision is made for them. The doors are closed, and the train is on its way.” The Bad are those who are overly considerate. These are the ones who allow passengers to just catch the train, but as Peter writes, the delays can add up to make trips 15 percent longer than scheduled. The Ugly are those who “try closing the doors even as people are still exiting the train, let alone anyone boarding.”
I’ve seen them all, and in a way, Kaufman’s simplified view of conductors really nails it. Of course, sometimes the Bad are held hostage by riders holding the doors, and sometimes the Ugly are just trying a bit too hard to keep their trains running on time. A good conductor will have his or her timing down just right, and for those people running to make the train, well, there’s always “another one directly behind us.”
Behind the Voices: Transit announcements
Posted by: | CommentsAs new rolling stock replaces the old cars, the era of the conductor in the subway system is coming to an end. Automated pre-recorded announcements that are easier to hear are replacing individual conductors’ efforts at announcing the next stops. Some people bemoan the loss of individuality underground while others prefer the crisper and over-enunciated sounds of the new announcements. Either way, those disembodied voices have become ubiquitous underground, and earlier this week, the voice recognition blogged Whose Voice is That? explored the personalities behind the voices. Did you know that the female voices usually provide information while the male voice provides instructions and commands? Since 2000 Charlie Pellett, Jessica Ettinger Gottesman, Dianne Thompson and Catherine Cowdery have been ordering us around underground, and WViT has the goods on them.
The sounds of anything but silence
Posted by: | CommentsIn 2005, iPod ads were everyone in the subway. Today, bleeding headphones have become ubiquitous. (Photo by flickr user t_a_i_s)
I found myself on Monday evening awaiting a downtown 4 train on the IRT platform at Union Square. As the downtown 6 pulled out and an express idled on the uptown tracks, it was loud. The automated PA voice kept warning me to stand back from the moving platform; the downtown trains screeched around the sharp curve into the station; and the heated system on the idling uptown express hummed.
It is little wonder then that the noisiest spot in New York City is at a subway station. According to a recent study by Hear the World, the noisiest spot in the city with trains roaring by is the B/D/F/V stop at 42nd St./Bryant Park. The noise levels reach 93 decibels at the subway system’s 18th busiest stop.
According to hearing experts, that level of screech is enough to cause permanent hearing damage, and Craig Kasper, a Columbia doctor who works with Hear the World, urged people to be mindful of the noise. “Once you reach anything over 85 decibels, you are really at risk,” he said. “If you hear a loud noise, just put fingers in your ears.”
Outside of Bryant Park, subways in general were the fourth most noisiest part of New York City, behind the West Side Highway and the bus lanes on 42nd St. east of Fifth Ave. A typical subway ride exposes a straphanger to 80 decibels of sound. Although the new R160s are designed to reduce noise levels both as trains ride the rails and as they brake, there’s only so much engineering can accomplish, and sounds are aplenty underground.
Interestingly, this survey seems to reduce the noise levels found this summer when one group warned of 100+ decibel exposure at some subway stations. Those built around curves are the loudest as trains make more noises braking through twisted sections of track. If only we could go back in time to fix those errors of original engineering over 100 years ago.
Noise on the subways, meanwhile, is not a new phenomenon. As Bill Bahng Boyer, one of my guest columnists over the summer, explained in August, New Yorkers have been complaining about the noise since October 29, 1904, one day after the IRT opened for business. What is a new problem however is headphone bleed. Have you tried to take a relatively silent ride lately? It’s impossible.
Once upon a time, boom boxes were the scourge of New York City subway riders. Those with their noises in magazines would dread the arrival of a gang of youths with a loud radio on for all to hear. It was the ultimate in obtrusive noise pollution, and eventually the combination of a crackdown and the onset of personal audio devices saw boom boxes become a relic of another era.
Today, though, we are subjected to subpar headphone earbuds. Brought about by the iPod revolution, nearly everyone is now satisfied with tinny headphones that leak sound all over the place. Some riders listen at volumes that are death to the ears, and nothing is worse than hearing the strains of something from 15 away in a a half-empty subway cars. Others simply don’t know how bad their headphones are. One day, I imagine, New York City may see an increase in the number of people suffering hearing damage, and the iPod earbuds will be to blame.
For now, we should be mindful of the noise. Obviously, the subways are noisy, and those sounds can impact our life. We tend to tune out the sounds of metal-on-metal, the sounds of air conditioner drones, the screech of brakes. But it’s there, hurting our ears decibel after decibel.
Second Ave. Sagas top ten of 2009
Posted by: | Comments
It’s hard to believe it’s been a year, but what a year it’s been. As 2009 draws to a close, I want to take a minute to reflect on the site. I’ve had more far more visitors this year than I did last, and many of you have stopped to leave a comment. From fare hikes to service cuts to progress along Second Ave., we’ve covered it all this year.
So as the year ends, I’d like to repeat my final post from 2008. Last year, I looked at the ten most popular posts from the previous year, and right now, I’m going to do the same. Although budget talks and funding solutions dominating the conversation, the most popular posts usually are a surprise.
1. The graffiti debate: Glorifying art or vandalism?
Two decades ago, the subways were covered in graffiti, and then the City and MTA decided to attack the art. Now, the subway is clean, but those graffiti artists feel slighted. As galleries begin to reminisce on the era of graffiti, we examined whether we should classify graffiti as misunderstood art or vandalism. The debate still goes on today.
2. Yankee Stadium Metro-North stop ready to go
As the Yankees went on their World Series run, the MTA opened a new Metro-North stop a few blocks away from the team’s new home. Jorge Posada, David Cone and Brian Cashman were on hand to lead reporters through the ribbon-cutting ceremony. The station was a success in its first season.
3. Wearing the Vignelli subway map
Something Vignelli seems to make the Top Ten every year, and the 2009 entry is a post I wrote about a dress for sale that featured the Vignelli map. The item is now unavailable, but it cost $249 at the time. Any subway buff worth their stripes would now own this one. I have yet to see anyone wear it though.
4. Foreshadowing a Second Ave. demise
As the MTA’s fiscal crisis robbed the agency of its operating budget, I wondered if the eventual lack of investment in transit would lead to the end of the Second Ave. subway work as well. For now, Phase I construction seems safe, but anything beyond that is a crap shoot.
5. Mythbusting the MTA fare hike
Friend-of-SAS and On Transport writer Chris O’Leary guest posted his FAQ about the fare hike. As the MTA has descended into fiscal chaos, misinformation about the authority reigns supreme, and few news agencies are willing to set the record straight. His post is as relevant today as it was in March.
6. Inside the Bleecker/Broadway-Lafayette Construction
In November 2011, Transit will finish up the project designed to connect the uptown 6 platform to the rest of the Bleecker St./Broadway-Lafayette station. In the meantime, I explore the ongoing work and what it means for commuters who use the 6 and the B/D/F/V stop in the area.
7. When it was a train: the H
Every now and then, some train’s rollsign is set to the wrong line, and New Yorkers wonder what that relic of another era was. We’ve seen a 13 train on the 1 line, and for the this post, we explored what the H — the old designation for the Rockaway Shuttle — was doing on an A train.
8. At 7 extension groundbreaking, Bloomberg slams SAS
As the MTA began to prepare for the TBM drops at the 7 line extension, Mayor Bloomberg took the time to criticize the Second Ave. Subway. He claimed that the new, badly needed line on the Upper East Side was destroying business but declined to mention why investing $2.1 billion into the 7 line expansion was a good idea.
9. Nostalgia Train to run December Sundays
Everyone loves the Nostalgia Train, and it ran this year in Sundays in December. Transit continued this festive holiday tradition despite a mid-month snow storm that shelved the old vintage cars for a weekend.
10. To save money, MTA may axe student MetroCards
We first heard of the MTA’s plan to save $170 million through student MetroCard cuts a few weeks ago. Although students are protesting the cuts and politicians do not look favorably upon them, no one has offered up a reason why the MTA should foot the bill for student transit costs.
* * *
And that’s the year that was in Second Ave. Sagas. I’ll be back tomorrow with the weekend service advisories. Remember: Transit running extra service after the ball drops tonight, but trains run on a Sunday schedule on New Years day. Have a safe and happy New Year.
2009: The year the money vanished
Posted by: | Comments
For tomorrow, the final day of the year, I’ll present my personal Top Ten stories of 2009 as I did last year on New Year’s Eve. Today, let’s review the year that was in transit news.
For the MTA, 2009 was a struggle. The year started with fears of service cuts and fare hikes and, after a brief reprieve that wasn’t as substantial as promised, service cuts are back on the table. January started with the MTA’s attempting to come to grips with its fiscal crisis. The agency set March 25th as its drop-dead date for a bailout, and the Authority and TWU announced they would go to arbitration. As the agency struggled with its own economic reality, the opening for the new South Ferry station was delayed due to an engineering issue. The MTA received some good to end the month as the beleaguered Fulton St. Hub earned a stimulus-inspired reprieve.
In February, the MTA announced that ridership was at a 59-year high, but Bridge & Tunnel revenues were plummeting. The Tunnel Boring Machine began its work along 11th Ave. where the 7 line will soon run. Transit fixed a 70-year-old typo, and the month ended with news that the MTA’s deficit could reach $2 billion. Cuts were nearly inevitable.
March was a rough month for the MTA. First, Washington, DC, announced full underground cell coverage by 2012 while the MTA’s pilot program for the city is seemingly dead. Meanwhile, Albany continued to throw charges of two sets of books at the MTA. We first heard of the Gang of Four as the plan to institute bridge tolls on the East River Bridges began to die a slow death. The MTA Board approved its Doomsday budget by month’s end, and the Second Ave. Subway officially lost its third track.
For rolling stock buffs, April began with word of the R160 making its F train debut, and the MTA announced a May opening date for the new Yankee Stadium Metro-North stop. As Senate talks of a bailout plan began to breakdown, the MTA announced a summer rollout for the planned service cuts. I again wondered whether or not station agents actually did anything as Doomsday inched closer and closer. Along Second Ave., the new MTA timeline showed a mid 2016 debut for the project’s Phase I.
May brought a tentative agreement on the MTA’s funding package. It was an imperfect solution and one that cost then-CEO and Executive Director Elliot Sander his job. The Second Ave. Subway earned $79 million in stimulus funds, and we discussed the MTA’s pension problems. We also saw a 13 train on the 1 line.
In June, the fare went up as Richard Ravitch warned of a bleak 2010 for the MTA. Transit announced 4 express service in the Bronx, and the R40 slants made their final runs. The MTA sold the naming rights to the Atlantic Ave./Pacific St. station and sweetened Bruce Ratner’s Atlantic Yards deal. Transit announced lower-than-expected ridership and fare revenue figures for 2009.
The summer saw a reprieve from the bad news. We explored funding transit through market-rate parking spots or a 36-percent fare hike. As the subways were accused of being very noisy, we went in depth on the Bleecker St./Broadway/Lafayette St. reconstruction efforts. Jay Walder earned an MTA appointment and pledged a fully-funded capital plan. The Feds and the MTA debated whether or not the SAS Phase I would open in 2017 or 2018, and the G train was extended to Church Avenue for the duration of the Culver Viaduct rehab.
August saw some good news. The MTA, despite immediate operations budget problems, unveiled a $28 billion capital plan to cover the next five years of transit expansion. On the heels of this announcement, we examined why transit matters in New York City. Bus arrival boards made a 34th St. debut. The MTA lost its TWU arbitration case and promised to appeal. Meanwhile, Transit dealt with the fallout from a major accident as the ceiling at 181st St. along the 1 line collapsed. For two weeks, Northern Manhattan commuters faced headaches and crowded trains.
September started with the Walder confirmation hearings and ended with TWU protests. In between, Jay Walder announced plans for a new fare payment system by 2014, and the Comptroller’s Office released a report critical of Transit’s station maintenance efforts. We explored sending the Second Ave. Subway on a spur through Alphabet City, and the MTA eliminated its station agent program.
Technology took center stage in October as the MTA announced plans for an A Division rollout of the train arrival boards set for a 2011 completion date. Carolyn Maloney graded the Second Ave. Subway, and NY1 axed Bobby Cuza’s transit beat. The F line was on the wrong end of a critical internal review, and we bemoaned the lack of Second Ave. express service.
Early November saw more personnel upheaval as Howard Roberts left Transit. A few days later, Tom Prendergast was named the new Transit head. The East Side Select Bus Service plans were nearly firmed up, and someone was murdered on a crowded D train early on Saturday morning. The initial 2010 budget featured no service hikes or fare cuts, but that utopian view would last just a few weeks. The Cortlandt St. stop on the BMT Broadway line reopened on Thanksgiving Eve.
Oh, December, what pain you have brought. Although we spent the early days of the month looking at the lack of megaprojects, the last few weeks have been all budget woes all the time. First, the state cut $140 million in appropriations for the MTA. Then, the state revealed a $200 million payroll tax shortfall. All of a sudden, Doomsday service cuts — but no fare hikes — were back on the table. Then, the MTA lost its arbitration appeal and unveiled a plan to cut free subway travel for students. We saw a plethora of solutions but no real answers for the MTA as the agency approved the service cuts two weeks ago.
And so that’s that for the year that was in transit. It has been a seemingly cyclical year. The agency has moved ahead along Second Ave. and 11th Ave. as its capital plans to expand the system are firmly in place. Yet, the operations budget has been attacked and trimmed so that it can barely support an adequate 24-hour transit system. Hopefully, as the political debate over student MetroCards and other service cuts heats up into 2010, we’ll have a better year upon which we can reflect 365 days from now.
Hypnotizing subway GIF of the day
Posted by: | CommentsHave fun with this one. It’s quite the way to waste a few minutes while you try to stay warm on a snowy Sunday.








